This print is part of a collection of 3 pictures taken from Gil Rigoulet's series Mes jours.
Up to 3 pictures from this series can be purchased in an exclusive branded box, a single print, a diptych or a triptych, framed in A3.
Specification
- Open Edition
- Print size: 14x18,7 cm
- Piezography carbon inkjet print on Hahnemühle Museum Etching 350 paper
- Piezography is the world's most advanced digital negative printing process for black and white images. Nine carbon-based inks are mixed together, resulting in deep blacks, very soft gradients and precision of the finest details. We chose it for its exceptional longevity and unparalleled tonal range.
- Comes with a signed certificate of authenticity
Note: a lower price is offered if you acquire more than one print from the same series. See the complete triptych.
The print comes with a FSC-certified wooden frame made from the finest materials to last a lifetime, and hand-crafted locally in France by expert framers. You can choose between 2 frame sizes and 3 frame colors.
- Color: Black, White or Oak
- Size: 21x29,7 cm (A4) or 29,7x42 cm (A3)
- Framed with an antique white, made-to-measure passepartout. 100% recyclable and acid-free.
- Sealed using archival, moisture-resistant, ph-neutral paper backing
- Protected by a light and resistant 2mm anti-UV acrylic glass that prevents desaturation
- Comes with a Kraft paper in the back that safeguards against dust, insects and humidity
- Assembled using a framing process and fastenings that are reversible, allowing you to safely retrieve the print without damaging it.
Mes jours; the relationship to the self, to the other, to places.
These Polaroïds spent 15 years in a box. They hold a dialogue between two people, inner stories, personal stories, an aesthetic of the everyday. Through the gaze he casts upon his daily intimacy, Gil rediscovers in these familiar objects, in these bodies, the ephemeral beauty of life’s moments.
With parts badly fixed or not fixed at all, these Polaroids 665 Positives become, after 15 years of purposeful oxidation, a symbol of memory that fades with time; a play of traces and disappearances of forms.
Photography prints sold in galleries can appear inaccessible or too elitist. From this observation, The Analog Gallery envisioned and launched TRIPTYQUES, an unprecedented access to the work of emerging and established photographers through an affordable triptych of small prints.
Each artist has entrusted the gallery with three artworks to offer an inexpensive entry point to their work. Together, we carefully chose the papers and printing techniques that best represent their work and worked hand in hand with them to offer you a peek into their universe, inspirations, emotions and stories.
