This print is part of a collection of 3 pictures taken from Victoire Orth's series Corps à Corps.
Up to 3 pictures from this series can be purchased in an exclusive branded box containing a single print, a diptych or a triptych, framed in A3 or A4.
Specification
- Edition of 100
- Print size: 14x21 cm
- Piezography carbon inkjet print on Awagami Bamboo 170 paper
- Piezography is the world's most advanced digital negative printing process for black and white images. Nine carbon-based inks are mixed together, resulting in deep blacks, very soft gradients and precision of the finest details. We chose it for its exceptional longevity and unparalleled tonal range.
- Comes with a signed certificate of authenticity
Note: a lower price is offered if you acquire more than one print from the same series. See the complete triptych.
The print comes with a FSC-certified wooden frame made from the finest materials to last a lifetime, and hand-crafted locally in France by expert framers. You can choose between 2 frame sizes and 3 frame colors.
- Color: Black, White or Oak
- Size: 21x29,7 cm (A4) or 29,7x42 cm (A3)
- Framed with an antique white, made-to-measure passepartout. 100% recyclable and acid-free.
- Sealed using archival, moisture-resistant, ph-neutral paper backing
- Protected by a light and resistant 2mm anti-UV acrylic glass that prevents desaturation
- Comes with a Kraft paper in the back that safeguards against dust, insects and humidity
- Assembled using a framing process and fastenings that are reversible, allowing you to safely retrieve the print without damaging it.
In 2020, a mirror in one hand and a film camera in the other, Victoire begins her series Corps à Corps: self-portraits in natural light and film development made between her shower and sink.
The series comes to life as an ode to the fluidity of gender expression and materializes through a need to explore this spectrum. Her images revolve around bodies, their lines and their singularity.
Intimate by nature, these moments behind the camera first appear to her as a personal journey of discovering the abundance and possibilities of the self.
Little by little, she brings in models, both female and male, into her world. A new temporality emerges: from self-portraits, she moves to the bodies of others, from the rejection of the binary to the mixing of skins, becoming in turn the mirror.
She tries to think the self beyond structures.
Photography prints sold in galleries can appear inaccessible or too elitist. From this observation, The Analog Gallery envisioned and launched TRIPTYQUES, an unprecedented access to the work of emerging and established photographers through an affordable triptych of small prints.
Each artist has entrusted the gallery with three artworks to offer an inexpensive entry point to their work. Together, we carefully chose the papers and printing techniques that best represent their work and worked hand in hand with them to offer you a peek into their universe, inspirations, emotions and stories.
